“TADEUSZ KANTOR AND THE POSTHUMAN STAGE.” In Postdramatic Theatre and Form (Bloomsbury Press, 2019).

“COMEDY: INTRODUCTION.” In Reader in Comedy: An Anthology of Theory and Criticism (Boomsbury Press, 2016).

“DISABILITY IN TRAGIC AND COMIC FRAME.” In Reader in Comedy: An Anthology of Theory and Criticism (Boomsbury Press, 2016).

“INTRODUCTION TO THE ROUTLEDGE COMPANION TO DRAMATURGY.” In The Routledge Companion to Dramaturgy (New York: Routledge, 2014).

“DRAMETRICS: WHAT DRAMATURGS SHOULD LEARN FROM MATHEMATICIANS.” In The Routledge Companion to Dramaturgy (New York: Routledge, 2014).

“WOMEN DIRECTORS IN POLAND.” In International Women Stage Directors. Eds. Anne Fliotsos and Wendy Vierow (Champagne, IL.: The University of Illinois Press, 2013).

“GROTOWSKI AND KANTOR: THEATRE AND THEORY.” In Grotowski: L’eredità vivente. Ed. Antonio Attisani (Italy: Accademia University Press, 2013).

“CHEKHOV IN THE AGE OF GLOBALIZATION: JANUSZ GLOWACKI’S ‘THE FOURTH SISTER.'” In Adapting Chekhov: The Text and Its Mutations. Eds. Yana Meerzon and Douglas Clayton (New York: Routledge, 2012).

“TRAUMA AND TESTIMONY IN HEATHER RAFFO’S ‘NINE PARTS OF DESIRE.'” Alif: Journal of Comparative Poetics, No. 31: 211-239 (2010).

BETWEEN HISTORY AND MEMORY: AUSCHWITZ IN ‘AKROPOLIS,’ ‘AKROPOLIS’ IN AUSCHWITZ.'” Theatre Survey, Vol. 50, No. 2: 223-250 (2009).

“BOGUSLAW SCHAEFFER’S ‘HERETHERE’ – THE RETURN TO ‘PURE FORM.’ The Mercurian: A Theatrical Translation Review, Vol. 2, No. 1 (2009).

“SARAH’S GIFT: GENDER, AGENCY AND THE SACRED.” In The Sacred Tropes: Tanakh, New Testament, Qur’an as Literature and Culture. Ed. Roberta Sabbath (Boston: Brill Press, 2009).

“GENDER, ETHICS, AND REPRESENTATION IN HEINER MULLER’S ‘HAMLETMACHINE.'” In The Cultural Politics of Heiner Muller. Ed. Dan Friedman (Newcastle: Cambridge Scholars, 2008).

“THE INSTRUMENTAL THEATRE OF BOGUSLAW SCHAEFFER. Slovo, University College of London, Vol. 20, No. 2 (2008).

“PERFORMING THE COVENANT: AKEDAH AND THE ORIGINS OF MASCULINITY.” Gender Forum: Gender and Jewish Culture, No. 28 (2008).

“THE ANATOMY OF BLASPHEMY: ‘THE PASSION’ AND THE TRIAL OF DOROTA NIEZNALSKA.” TDR: The Drama Review, Vol. 51, No. 2: 176-181 (2007).

“HAMLET, MASCULINITY AND THE NINETEENTH CENTURY NATIONALISM.” In Ghosts, Stories, Histories: Ghost Stories and Alternative Histories. Ed. Sladja Blazan (Newcastle: Cambridge Scholars, 2007).

“NECROPHELIA: DEATH, FEMININITY AND THE MAKING OF MODERN AESTHETICS.” Performance Research: A Journal of the Performing Arts, Special Issue: On Shakespeare, Vol. 10, No. 3: 35-53 (2005).

“ONTHOLOGY AND EROTICISM: TWO BODIES OF OPHELIA.” Women’s Studies: An Interdisciplinary Journal, Vol. 34, No. 6: 485-503 (2005).

“THE THEATRE OF TRANSITION: BOGUSLAW SCHAEFFER AND THE POLISH STAGE OF THE BRAVE NEW WORLD.” Toronto Slavic Quarterly, No. 9 (2004).