ARTICLES AND BOOK CHAPTERS

MIECZYSLAW WEINBERG’S OPERA THE PASSENGER: ON MEMORY AND FORGETTING. The Cosmopolitan Review, Spring 2015.

INTRODUCTION. In The Routledge Companion to Dramaturgy (New York: Routledge, 2014).

DRAMETRICS: WHAT DRAMATURGS SHOULD LEARN FROM MATHEMATICIANS. In The Routledge Companion to Dramaturgy (New York: Routledge, 2014).

WOMEN DIRECTORS IN POLAND. In International Women Stage Directors. Eds. Anne Fliotsos and Wendy Vierow (Champagne, IL.: The University of Illinois Press, 2013).

GROTOWSKI AND KANTOR: THEATRE AND THEORY. In Grotowski: L’eredità vivente. Ed. Antonio Attisani (Italy: Accademia University Press, 2013).

CHEKHOV IN THE AGE OF GLOBALIZATION: JANUSZ GLOWACKI’S ‘THE FOURTH SISTER.’ In Adapting Chekhov: The Text and Its Mutations. Eds. Yana Meerzon and Douglas Clayton (New York: Routledge, 2012).

TRAUMA AND TESTIMONY IN HEATHER RAFFO’S ‘NINE PARTS OF DESIRE. Alif: Journal of Comparative Poetics, No. 31: 211-239 (2010).

BETWEEN HISTORY AND MEMORY: AUSCHWITZ IN ‘AKROPOLIS,’ ‘AKROPOLIS’ IN AUSCHWITZ.’ Theatre Survey, Vol. 50, No. 2: 223-250 (2009).

BOGUSLAW SCHAEFFER’S ‘HERETHERE’ – THE RETURN TO ‘PURE FORM.’ The Mercurian: A Theatrical Translation Review, Vol. 2, No. 1 (2009).

SARAH’S GIFT: GENDER, AGENCY AND THE SACRED. In The Sacred Tropes: Tanakh, New Testament, Qur’an as Literature and Culture. Ed. Roberta Sabbath (Boston: Brill Press, 2009).

GENDER, ETHICS AND REPRESENTATION IN HEINER MULLER’S ‘HAMLETMACHINE.’ In The Cultural Politics of Heiner Muller. Ed. Dan Friedman (Newcastle: Cambridge Scholars, 2008).

THE INSTRUMENTAL THEATRE OF BOGUSLAW SCHAEFFER. Slovo, University College of London, Vol. 20, No. 2 (2008).

PERFORMING THE COVENANT: AKEDAH AND THE ORIGINS OF MASCULINITY. Gender Forum: Gender and Jewish Culture, No. 28 (2008).

THE ANATOMY OF BLASPHEMY: ‘THE PASSION’ AND THE TRIAL OF DOROTA NIEZNALSKA. TDR: The Drama Review, Vol. 51, No. 2: 176-181 (2007).

HAMLET, MASCULINITY AND THE NINETEENTH CENTURY NATIONALISM. In Ghosts, Stories, Histories: Ghost Stories and Alternative Histories. Ed. Sladja Blazan (Newcastle: Cambridge Scholars, 2007).

NECROPHELIA: DEATH, FEMININITY AND THE MAKING OF MODERN AESTHETICS. Performance Research: A Journal of the Performing Arts, Special Issue: On Shakespeare, Vol. 10, No. 3: 35-53 (2005).

ONTHOLOGY AND EROTICISM: TWO BODIES OF OPHELIA. Women’s Studies: An Interdisciplinary Journal, Vol. 34, No. 6: 485-503 (2005).

THE THEATRE OF TRANSITION: BOGUSLAW SCHAEFFER AND THE POLISH STAGE OF THE BRAVE NEW WORLD. Toronto Slavic Quarterly, No. 9 (2004).

 

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