12 May 2014

Opera Blog: “I Puritani”: Why we killed Arturo

In BLO’s version of I Puritani, a vengeful Riccardo kills Arturo during the last scene as the two happy lovers, Elvira and Arturo, finally reconnect after many trials and tribulations. Arturo dies in Elvira’s arms, and we can only anticipate that the final blow of his death will ultimately unravel her fragile and already strained […]

Continue Reading

2 May 2014

Opera Blog: A Conversation with Mary Ann Smart about “I puritani”

BLO Dramaturg, Magda Romanska talks to Mary Ann Smart, Professor of Music at the University of California, Berkeley about I Puritani. Professor Smart is the author of the book, Mimomania: Music and Gesture in Nineteenth-Century Opera, the editor of the critical edition of Donizetti’s last opera, Dom Sébastien, and of the articles on Bellini and […]

Continue Reading

30 April 2014

Opera Blog: The Romantic Trope of a Madwoman in “I puritani”

The portrayal of Elvira in I puritani follows the trope of the madwoman, which dominated the nineteenth-century European discourse on gender. Trapped in a man’s world, Victorian women often escaped into madness, which was viewed as the only permissible way for them to speak the truth and to solve the tensions and pressures of their […]

Continue Reading

25 April 2014

Opera Blog: “I puritani” Production History

Vincenzo Bellini (1801–1835) is known for three major operas: La Sonnambula (1831), Norma (1831), and I Puritani (The Puritans, 1835). I Puritani was Bellini’s last, and it was composed between 1834 and 1835 specifi cally for the Théâtre-Italien in Paris. During the time he was writing the opera, Bellini was close to Rossini, whose presence […]

Continue Reading