“Slave Play”: Can a Subaltern Consent
In her 2011 book, Techniques of Pleasure: BDSM and the Circuits of Sexuality, Margot Weiss, an...
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The Comic Frame of Sławomir Mrożek: Or, How to Tell if You Live in a Totalitarian Country
On August 15, 2013, the Polish dramatist, writer, and cartoonist Sławomir Mrożek died at the age...
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The Wooster Group’s “A Pink Chair” – Can You Ever Return?
The Wooster Group’s newest production, A Pink Chair (In Place of a Fake Antique) was commissioned...
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The Context of Contemporary Polish Theatre: Spotlight on Poland
Today, we are launching The Spotlight on Poland. Here’s the context….. Following the fall of the...
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The Theatre Times: Why? Why Now?
TheTheatreTimes.com is a non-partisan, global portal for theatre news. With an expanding...
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Boston’s Theater Scene: Not All Arts Are Created Equal
Emerson College’s plan to reconfigure the historic Colonial Theatre into a multipurpose space,...
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Interview with Magda Romanska, author of “The Post-traumatic Theatre of Grotowski and Kantor”
The following is an interview with Magda Romanska, author of The Post-traumatic Theatre of...
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Offstage, Dramaturgs Are Playing a Prominent Role
By Joel Brown GLOBE CORRESPONDENT JANUARY 04, 2014 The Literary Managers and Dramaturgs of the...
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Last Tango in Poland: Farewell to Slawomir Mrozek 1930-213
On August 15th the world theater lost one of its finest. Sławomir Mrożek, the brilliant,...
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The Case for National Theatre
A provocative blog post making one case for a National American Theater. Magda Romanska posts a...
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How the Holocaust Shaped Theatre: Emerson Professor Describes Its Impact on Polish Directors
“In Jerzy Grotowski’s 1967 staging of Stanislaw Wyspianski’s 1904 play,...
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Escape From Circus: Review of Mabou Mines’s “Dollhouse”
During the ten years of its run, when asked what I thought of Mabou Mines’s Dollhouse, I’ve...
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