WRITER | DRAMATURG | THEATRE AND TRANSMEDIA RESEARCHER
MAGDA ROMANSKA
Professor of Theatre, EMERSON COLLEGE
Faculty Associate, BERKMAN KLEIN CENTER FOR INTERNET AND SOCIETY AT HARVARD
Chair, Transmedia Arts Seminar, Mahindra Humanities Center, HARVARD UNIVERSITY
Principal, metaLAB, HARVARD UNIVERSITY
Executive Director and Editor-in-Chief, THETHEATRETIMES.COM
Research Associate, The Minda de Gunzburg Center for European Studies, HARVARD UNIVERSITY
Research Associate, Davis Center for Russian and Eurasian Studies, HARVARD UNIVERSITY
Advisory Board Member, DIGITAL THEATRE +
Member, LEONARDO NETWORK
Recent Book
theatermachine: tadeusz kantor in context
“These rich and profound essays not only place Kantor retrospectively into the theatrical past, but also argue persuasively for his relevance in the 21st century as an avatar of postdramatic and posthuman performance, and of object theater and performance art.”
– Choice Magazine
“The work of the editors of the volume deserves recognition. The book they have prepared above all proves that Tadeusz Kantor’s work can still inspire, surprise and provoke discussion.”
– Didaskalia
“The most important result of this publication is that through this entanglement of different discourses, cultures, and narrations, Kantor’s art reveals itself not only as practice but also as a strong theoretical proposal.”
– Modern Drama
“Richly documented chapters interweave primary sources, critical commentary, and contemporary theory (for example, Adorno, Agamben, Bettelheim, Améry) on each topic. Through its argumentation and design, the book demonstrates a sophisticated dramaturgical strategy for re-historicizing and recontextualizing theatre and performance events.”
“An impressive cast of notable contributors offers their definitions of comedy and its historical contexts, themes, narrative structures, plots, character types and tropes. As a valuable precis of historical writings on comedy, Reader in Comedy is a full, rich and highly informative anthology that can be dipped into time and time again. For the scholar of comic theory and criticism, this is an extremely valuable reference tool.”
-Comedy Studies
“Romanska has put together a robust, impressively comprehensive volume that covers the ever-broadening scope of contemporary dramaturgy within a global context. With 85 essays, this volume reveals the established, emerging, and imagined ideas of what dramaturgy is and could be. The volume is destined to become a go-to reference for practitioners and students of dramaturgy, along with directors, critics, playwrights, and theater scholars.”